Inspired By

Happy Valentine's Day from this little mouse (and me).

My inspiration levels have not been overflowing lately. Shocking, I know. I have had only just enough spark to take someone else's work and riff on it.

This hat is a good example. I loved Bristol Ivy's Peace de Resistance Mittens pattern, but I hardly ever wear mittens. Hats, on the other hand, I wear all the time. So, I turned the mitten pattern into a hat.

I finished the hat on Sunday, and I have posted my project notes on Ravelry in case you would also like to make a hat like this one. I like mine so much I almost slept in it Sunday night.

I then turned to knitting a gift for Wyatt for Valentine's Day. For the last two years, I have knitted him a little Valentine's present. The first year was a red heart pillow (that I scented with lavender flowers and is now worn and pilled from love) and the second year was a bouquet of lavender flowers (that sit on his nightstand).

Last week, Wyatt reminded me that Valentine's Day was coming and asked if I had already started working on his present. (I do love how there is no chance my child will wait and wonder whether I will meet his expectation for a present. I mean, why hope quietly, count on mind reading, and risk disappointment when you can SPECIFICALLY ASK?) I hadn't, so I looked through Hansi Singh's book of Amigurumi Knits, and I opted to make him a banana slug, inspired by the snail in her book, the endless amount of rain we have been getting this winter, and my lack of lovely yarn for a shell. But, the problem was three-quarters of the way through the body, the slug looked a lot like a gangrenous-colored peen warmer (as my friend Sarah correctly observed).

So Monday afternoon, I bought the pattern I had found last week before I talked myself into making that stripped-down snail. I knitted furiously from when Wyatt went to bed until the wee hours of Valentine's Day morning, knitting, embroidering, and assembling a Valentine's Mouse. The mouse is adorable, and way more time-consuming than I had anticipated.

And for dinner? Inspiration has been lagging a bit there, too. We had lots of soup last week. But this Saturday, after another afternoon volunteering at the Presidio Nursery (weeding this week!), I tried making Cabbage Pad Thai for the first time. I know, I know. The rallying cries of "Zucchini noodles!" or "Cauliflower rice!" followed by, "You won't even notice the difference!" is utter nonsense. Of COURSE you will notice a difference. If you don't, you're not paying enough attention to your food. The question should be whether you like the substitution, not whether there's a difference. Sometimes I like the swap, and sometimes I don't. Same goes for Wyatt. He actually scowled when I said it was Pad Thai made with cabbage, and said, "WHAT? NO NOODLES?" And he wasn't wrong--we all really do love cabbage in many forms, but cabbage is not noodles. So I made the recipe as written but added a two bricks of brown rice noodles I had just pre-cooked (mixed them in with the cabbage at the end). We also added a sprinkle of mung bean sprouts, too. We had just enough for the three of us for dinner.

Hapa Zome (The Beauty of Hitting Flowers with Hammers)

In June 2015, I attended a workshop by Plants People at West Coast Craft. The workshop was on one of those Sundays when there couldn't have been more traffic or less parking around Fort Mason. It was so bad that, looking back, it is remarkable that my friend Margaret, her friend Aisling, and I all managed to make it to the class, never mind create beautiful flower prints. But we did.

"Hapa Zome" is the name that India Flint gave the natural dyeing process of placing flowers on fabric, folding the fabric, and then hitting the fabric firmly and repeatedly with a hammer (or mallet) to transfer the flower pigments to the cloth. The color transfer and prints you get are incredible. Even when you think you've totally messed it up, the petals move, and you don't achieve even remotely what you had imagined, the result is lovely. And there's no better craft than this one if you're feeling impatient, frustrated or you just want to hit stuff. 

Ever since the workshop, Margaret and I have been saying how much we wanted to do the project again.  We finally got around to it a few weekends ago. Margaret (whose many talents include floral design) picked up the flowers from the Flower Mart and bought the alum, Maja got the silk scarves, and I brought spray bottles, mallets, and towels.

We sprayed our scarves with a solution of water and alum, and then got to hammering, spraying more of the alum solution as needed. (Alum is the mordant we used, and mordant is what helps color stay on fabric rather than just disappear).

We put cardboard on the table under the towels, but three strong women hammering is no joke. By the time we were done, one of the bolts holding Margaret's table together had worked its way off a screw and onto the floor. My point is, choose your hammering surface carefully and look for loose bolts when you're done. You might opt for no towels, as well, if you want a crisper imprint of the flowers. Try it and see what happens. We mixed our alum and water solution without any regard for science or dyeing authority. If you want to do it "right," you can consult natural dye resources for ratios of the amount of mordant to use for a given amount of fabric and prepare the fabric accordingly. You can also choose flowers that are commonly used for natural dyeing in order to get a more lasting result. The wonderful thing about this process (or disappointing thing, depending on how much you love your initial result) is that over time, the colors of the flower imprints shift, fade, and change. As that happens, or as you find other flowers you like, you can add more prints to your piece.

Wyatt was more than just a little bit jealous that I spent the afternoon with Margaret (she was his teacher before she became my friend), and he refused to accept that he wouldn't be hammering flowers himself. So he and I did another scarf the next day.

He loved the whole process. I mean, who wouldn't? Swinging a heavy mallet also tired him out, so there's that, too.

So, definitely try flower hammering.

Also! I have a new soup recipe to share: Sweet Potato Coconut Curry Soup. No photos, but it's orange like the sweet potatoes in it, and it's great. Don't let the list of ingredients scare you off--most of them are for the spiced chickpeas/garbanzo beans (which I haven't yet made because we had some leftover from Nopalito). The soup is so great, in fact, that Wyatt brought it for lunch a couple of times last week, and the teachers asked for tastes and then asked me for the recipe. My adjustments to the recipe as are: a pinch or two of cayenne (instead of 1/4 tsp, because one of us doesn't like things too spicy), 1 tablespoon of curry powder (instead of 2 tablespoons), and a sprinkle of coconut vinegar or sherry vinegar to finish the soup just before serving. The recipe also doubles very well, and when I added a cup of water that one time I was short on coconut milk, the soup was still just as good.

Last but not least, I hope your Halloween was as good as this little panda's was.

 

 

Halloween Countdown

Look what I found in the garden!

Last year for Halloween, Wyatt was an elephant. This year, he wanted to be a panda. I offered to knit him a panda hat and sew him a panda costume. He vehemently objected. "NO MOM. I want you to knit one JUST LIKE last year, only black and white, and we can paint rainbow buttons." Little known fact: Pandas are creatures of habit.

There was no way I was knitting another Union Suit, especially considering the first one still fits. Also, one of my rationalizations for knitting an entire Halloween costume is that I get to learn something new, so repeating a pattern wouldn't work. It took me several weeks, but I finally convinced Wyatt that the way to go this year was a pair of Hammer-style knitted play pants and a cardigan with a simple, panda-esque yoke. I sold him on the practicality of having a two-piece garment when he needed to go to the bathroom, promised he could paint buttons for the panda hat, and told him I'd put as many buttons as I could on the cardigan. It was May when we reached an agreement, in case you're curious about the timeline on a project like this. Then it was time to shop for yarn.

In addition learning something new, this knitting exercise requires my using sustainably and ethically made materials. While the yarns suggested for both of the patterns sounded lovely, I opted to use Quince & Co. yarns. Quince uses 100% American wool, and the wool is processed, spun, and dyed responsibly in the United States. I also used the leftover cotton fabric and thread from last year, and got buttons, once again, from Honey Be Good.

Substituting yarns in a pattern can be tricky, and the sweater and play pants patterns were no exception. I opted for Lark, which is a worsted weight yarn, even though both patterns were written for lighter weight yarns. I did a lot of swatching, modifying, measuring, and cursing as I went along. In the end, I made it all work.

I started with the hat (in Puffin), went on to the play pants (they photograph terribly, so there's no image of them alone), and then I did the cardigan. Why this order? As I told Marc, if were hit by a bus before finishing the cardigan, he could go get a 3/4-length sleeve black and white baseball shirt, and Halloween would be just fine. The big thing I learned from this costume is how to steek a cardigan. After getting past the terror, there's something truly empowering about slicing up the middle a sweater you just finished knitting, especially when it works as beautifully as it did here.

Last, Wyatt and I built a belly for the panda. We sewed three sides of a belly-sized rectangle of pink cotton interlock fabric to an old t-shirt of Wyatt's, stuffed it medium-full with stuffing I had stashed in a closet, and then we sewed the fourth side. Instant panda! Ha.

The one thing we forgot to do was grow bamboo. Does "fast growing" mean we can have stalks in a week? We'll see.

 

Music, Mending, and Lambtown

Even though I remain really reluctant to embrace the season of apples, squash, and soup, October has gotten off to a truly terrific start. The first weekend was full of so much fun that Wyatt skipped school on Friday so we could fit it all in. And then last week, I published my fourth knitting pattern. More about that in next week's post, but meanwhile, YAY ME.

Last weekend was Wyatt's most anticipated annual musical event: Hardly Strictly Bluegrass. We went on Friday before things got too crazy. This is us (actually Wyatt and my knitting, I guess) outside the gates for the concert for middle-schoolers on Friday morning. The music at the festival was great, but the highlight for me this year was watching Wyatt make friends with a four-year old and a three-year old near us at one of the stages—he gave them pony rides on his back, and then they all had a dance party. As if all of that goodness wasn't enough to make a winning Friday, we ended the day on an even higher note after we picked up my friend Debbie at the BART station. We spent the late afternoon and evening with her playing Trouble (which she had brought for Wyatt), making and eating pizzas, and catching up. 

On Saturday, I attended Katrina Rodabaugh's Sashiko Mending Workshop at Handcraft Studio School in El Cerrito. Bonus: Maja came too. I have been waiting for this workshop since June when I found Katrina's work and she promised me in an email that she'd be back in the Bay Area to teach in the fall. True to her word, I got to learn from her in person. She spoke about her journey into slow fashion and the reasons why it's important to disrupt the cycle of fast fashion's trends whenever we can. I loved the books and resources she brought to share. "Sustainable fashion" can be challenging, as I learned in my own little way last year making Wyatt's elephant costume. (Read about that here and here.) During the mending workshop, we hand-stitched a tea quilt (which is thinner and smaller than a potholder, but bigger than a coaster), learned methods of mending, and we witnessed how some simple stitches by our own hands made our patch jobs look beautiful and intentional. Some might even say our embroidery was on-trend. The stack of clothes I need to mend is now one pair of jeans shorter, and I have the confidence and know-how to tackle the rest. Now all I need to do is make the time . . . mending has this way of staying at the bottom of my list of things to do.

Sunday was Lambtown! All three of us went this time, and this year, Lambtown had all the things Wyatt had been looking forward to (music, petting zoo, pony rides, cooking demonstrations), along with a new attractions: a train he could ride on with or without his parents and an interactive farm equipment display. The sheepdog competition was very entertaining, and I learned that Marc knows A LOT about sheepdog trials. (The things a person can hold back in a long-term, committed relationship never fail to surprise me.) We visited with Brooke at the Sincere Sheep booth, where she had displayed my patterns beautifully, and I stopped in to see Kira of Kira K. Designs just next door. Wyatt got to watch carding and blending again at Dreamy Goat Design Studio, and I learned about Shaggy Bear Farms in Scio, Oregon, where they specialize in rare sheep (and their fiber).

I added Gotland and East Friesian roving to the collection of different rovings I have been spinning into yarn. I'm planning to knit all my beginner yarn into a modern, log-cabin style, sampler blanket. My stash of handspun yarn is slowly growing. Here's the stash so far: